Friday, January 15, 2010
CIVIL RIGHTS CAMPAIGNS IN WASHINGTON STATE: ORAL HISTORIES, PAPERS & DOCUMENTS
WASHINGTON STATE'S KKK WOMEN: GENDER & POWER

KKK gathering at the Crystal Pool in downtown Seattle, March 23, 1923. Photo: Washington State Historical Society
Ku Klux Klan Gathering at the Crystal Pool (2nd and Lenora) in Downtown Seattle, WA. March 23, 1923. Photo courtesy of the Washington State Historical Society. Copyright (c) reserved.
WASHINGTON STATE'S KKK HISTORY: GENDER & POWER

From the Civil Rights & Labor History Project
Klan super rally near Renton, July 14, 1923.
The cover of the Washington State KKK's monthly publication, "The Watcher on the Tower," from July 21, 1923, is devoted to one of the massive Klan super-rallies, or "Konventions," held in the Northwest in 1923-1924. The events were largely staged as spectacles and entertainment to bring masses of people, not part of normal Klan activities, into contact with Klan members and ideas. This was the first Konvention in Washington State, and brought between twenty and fifty thousand spectators. Digitized courtesy of Microfilm and Newspaper Collection, University of Washington Library. Copyright (c) reserved.
CONSTITUTIONAL RIGHTS IN WASHINGTON, ca 1920s: PUTTING A CRITICAL RACE & GENDER LENS ON CONSTITUTIONALIST PRIVILEGE CODES

"KKK Wedding" in Sedro Wooley, Washington, June 16, 1926. Photo: Skagit River Journal
Though Klan weddings were uncommon, the Klan did much to incorporate their own rituals and regalia into traditional rites of everyday life. This photograph of a Klan wedding in Sedro Wooley portrays the attempt to link family, religion, and civic life with the Klan. Courtesy of the Skagit River Journal. Copyright (c) reserved. Source: http://depts.washington.edu/labpics/repository/main.php?g2_itemId=755&g2_GALLERYSID=TMP_SESSION_ID_DI_NOISSES_PMT, (accessed January 15, 2010).
The above is a sample of a primary document research exploration. The primary document is the photograph.
I applied some key words of the historical and contemporary contexts for the upcoming Martin Luther King 'holiday' (etymology: from 'holy days'; 'sacred'), for example, 'Black History', 'racism', 'oppression', 'violence', 'white people', 'black people', 'lynching', 'extra-legal violence', 'U.S. history of racism.' I applied these to the history of 'Washington State' as an intersecting category of analysis.
My curiosity? To examine the public history-telling of Washington elites' codification of 'whiteness' and white privilege as de jure legal practice. The following questions arose in this brief examination of the photograph:
How do the race-gender lenses applied to 'white women's suffrage' and 'equality' with white males and white male power structures (economic, social, political) take on new meanings in this photograph?
How do the 'first wave' and 'second wave' feminist 'movements' become entangled in colonialist ideologies of racial superiority when we examine the complicated ways in which different groups of European-American women--in Washington state--were endowed with certain social, economic and political privileges in relationship to their legal and social racial designation --'White'-- through the state's constitutionalist structures?
In the Pacific Northwest, what were the specific histories of Euro-American settlement, economic development, conflict and challenges in local, national and international markets? How are these tied to the economies which, at the time, were deeply connected to race and gender in Washington's codified race laws?
Why was it important for such a significant number of white women in Washington State to hinge their suffrage and sense of freedom and equality (well-being) to racial domination and oppression of groups codified as non-white?What do we learn about the connection between gender (masculinity, femininity, identity) as it interlocks race in the photograph of the wedding? How are religion, social gatherings, collective identity, and the 'customariness' of everyday life utilized and leveraged by 'white' women and 'white' males to shape constitutional laws?
How did white women, in Washington, use the constitutionalist system to reinforce systems of oppression already deeply entrenched in the U.S. economic structure (built upon so-called 'surplus' slave/ free/low wage labor/ disenfranchised people of color/ capital/ land-tenure)? How is this photograph an important document and archive of the patriarchal structure against which numerous oppressed groups fought to disrupt?